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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 9 Documents
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Search results for , issue "Vol 14, No 2 (2022)" : 9 Documents clear
MAKNA SIMBOL SURYA MAJAPAHIT Wisnu - Adisukma; Prima - Yustana; Kusmadi - Kusmadi; Ari - Supriyanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4558

Abstract

The historical development in the frame of Nusantara cultural art will not be separated from the role of the great empire that once triumphed in Indonesia. Majapahit as one of the great kingdoms that in history was able to unite the archipelago certainly had a hand in the development of nusantara cultural arts, for example is the Majapahit ornament. One of the ornaments that is considered monumental is the Majapahit solar, because most consider it as the symbol of the Majapahit State, some consider it a symbol of reminding life. Learning and living the form and meaning of ornaments, it requires a certain knowledge and skill and a long time, considering that ornaments have various aspects such as: types of motifs, patterns, representations, values or meanings behind the form, depiction techniques, and different applications. Surya Majapahit also has unique and diverse characteristics of each very complex visual presentation ranging from the shape of the image, the naming of the parts of the image, and its meaning. And one of the important elements is the learning of the meaning behind a form that is acceptable and correctly understood, that the presence of ornaments in every building, especially sacred buildings, certainly has words and teachings that are used as guidelines for the supporting community in its time.
APLIKASI LIMBAH KAYU SEBAGAI MATRIK/ ACUAN PADA PENCIPTAAN KARYA SENI GRAFIS TEKNIK CETAK TINGGI BERBASIS FALSAFAH JAWA sigit purnomo adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4367

Abstract

Relief print is a printmaking technique that is quite well known among the public. Relief print is considered static. This creation research aims to produce novelty by combining wood waste, references/matrixes in woodcut and Aja Dumeh's Javanese philosophy with artistic creation process methods: experimentation, reflection and creation of works. The creation of this matrix or reference is expected to be able to combine wood waste, reference/matrix in Relief print with Aja Dumeh's Javanese philosophy so that the resulting work is able to campaign about the importance of protecting the environment and also preserving culture, especially Javanese culture, so that it is expected to be able to compete in the international world. The results of this creation research have creations and innovations in the form of references/matrixes used in woodcut which come from Javanese philosophy conceptually and wood waste materially
SENI DALAM DIMENSI EKOLOGI: PERAN INSAN SENI DALAM ADVOKASI ISU LINGKUNGAN Mayang Anggrian; Nur Iksan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.3964

Abstract

Art and its crosses in ecological areas have the opportunity and potential to help advocate environmental issues in the community. However, the art of ecology and advocacy about it has not been done by many artists. Even artwork and environmental advocacy are less popular and desirable in the art ecosystem because it doesn’t intersect with the practical economy of artists. In fact, referring to the increasingly critical global ecological situation, it is currently necessary to make sustainable efforts to build community eco consciousness. This research then questioned about the motives of art activist doing artwork with environmental theme, as well as their role in advocating environmental issues in society. Furthermore, this research also examines how the impact of artistic work with the environmental theme on the surrounding community. This is interesting because the various environmental advocacy efforts that have been caried out by these artist have been responded to by various dynamics in society, and it can be seen if people of the arts can play a unique role in environmental advocacy. In the end the qualitative descriptive method used in this study found a number of certain pattern about the motivation, role, and impact of environmental art work that has been carried out by artists in the local community. Based on this research environmental advocacy and artistic work have become a catalyst for the appreciation of eco-consciousness of the surrounding community. The position of the arts is quite strategic as agent of change.
PENCIPTAAN DESAIN BUSANA ANDROGINI SEBAGAI INOVASI INDUSTRI BATIK MASARAN SRAGEN Endang Sri Handayani; M Fachrul Munir; Rhochimatul Choiri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.3965

Abstract

Creating androgyny fashion is one of innovation to developt industry of Batik Masaran. The high of market demand that already bored with the monoton patern shirt made the researcher want to make new androgyny fashion design that combinated with Batik Masaran. The innovation of androgyny style can be apply on any gender and any situation. Creating androgyny fashion design is using theory of art creation by Gustami that include three methods, there are exploration, design, and implementation. On the exploration step, the researcher made an idea research in many source, and then on design step there is procces for looking best design that will materialization as artwork. On the implementation step, there is few step including making illustration mode, making fashion pattern, cutting the fabric, and sewing.  
APLIKASI DRAWING REALISTIK MELALUI TEKNIK CUKIL DALAM KARYA SENI GRAFIS M. FADHLIL ABDI Devy Ika Nurjanah; Rochmat Basuki
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4354

Abstract

The relief print technique is one of the 4 types of printmaking techniques (the categorization is based on the process of its creation, namely the relief print technique, intaglio, flat printing, and silkscreen printing). The character of the engraver in high printing techniques tends to be firm, masculine, rigid and difficult to achieve plasticity. This is because the matrix/cliché material used is usually hard. In addition, the tapping tool used is in the form of iron / steel metal with a blade formed arch, so that the resulting carved lines are wider and larger, and it is more difficult to make curved lines, small, thin (as thin as a pencil or pen scratch). However, in the printmaking work of M. Fadhlil Abdi was able to achieve a realistic form using the woodcut technique. Fadhlil is a painting artist from Palembang who is active in art and exhibits both at home and abroad. Fadhlil's paintings are more of a realistic portrait. The purpose of this study is to examine the electrical technique of the works of printmaking of M. Fadhlil Abdi. How Fadhlil applies realistic drawing is usually applied by drawing/painting directly on the canvas, but here using printmaking techniques that are relatively more difficult to be able to achieve characters with subtle light dark gradations. The method used in this study is descriptive qualitative using the phenomenological theory approach.
REMPAH NUSANTARA DALAM SENI LUKIS PADA MEDIA TALENAN DENGAN TEKNIK 3D I Nyoman Suyasa; Deni - Rahman; Alexander Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4559

Abstract

The research entitled “Rempah Nusantara dalam Seni Lukis pada Media Talenan dengan Teknik 3D” is applied research based on the development of painting which functions as a medium of information about the natural wealth of the archipelago. Aside from spices and medicineherbscesis  are also very suitable to be used as a source of ideas in the creation of works of art. Because spices have various and unique shapesattarstractive colors. Using applied research methods with various stags, including: observation of objects or observations, contemplation, experimentation, fo,rmation, work and presentation. This research is focused on creating innovative works of art with the theme of Indonesian spices on cutting boards techniques technique, so that the spices look as real as they are on a cutting board. The purpose of this research is to reintroduce native Indonesian spices to the wider community with the medium of painting, as well as to explore new possibilities in terms of developing techniques that are more innovative and have an economic impact.
ESTETIKA FOTOGRAFI VINTAGE COLOR STYLE PADA KARYA NIGHTSCAPE PROJECT Nadia Sigi Prameswari; Gunadi Gunadi; Eko Setiawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4083

Abstract

The purpose of this study is to identify how Cimahi batik is a form of cultural identity. So that the younger generation, especially the people of Cimahi City, can know and appreciate the form of cultural heritage in the form of one of the city's identities. The research method used is a qualitative method by analyzing the data found. This study uses a literature/library study approach in which the data comes from various literatures, both in print and electronic media related to cultural identity in the form of urban batik in the view of anthropology. This is motivated by the swift currents of globalization which can cause cultural shifts. Even the cultural identity of an area can be lost if it is not preserved. So this research is expected to increase the sense of respect and pride in the existing cultural identity.
NARATOLOGI FILM ADA APA DENGAN CINTA? Albertus Rusputranto P.A; Nerfita Primadewi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4536

Abstract

The article “Film Narratology Ada Apa Dengan Cinta?” is a scientific publication based on research results entitled “Film Narrative What's Up With Love? from the Perspective of Structural Semiotics”. The narrative structure of the film What's Up With Love? (director: Rudi Soedjarwo, 2002) was investigated using the modified vertical narrative structural analysis method of Roland Barthes's formulation, and an analysis of its derivatives was made. The derivative vertical narrative structural analysis method is used to read the film's narratology Ada Apa Dengan Cinta? 
ANALISIS SEMIOTIKA ROLAND BARTHES DALAM IKLAN RAMAYANA EDISI RAMADHAN 2018 #KERENLAHIRBATIN Sri Wulandari; Pungky Febi Arifianto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4506

Abstract

Ramadan moments provide business opportunities in various fields in various sectors. One of them is in the fashion sector because Ramadan is closely related to Eid. Eid itself is often associated with new clothes. Ramayana Lestari Sentosa is one of the major department stores in Indonesia. Ramayana Department Store often steals attention through its iconic advertisements. One of the iconic Ramayana advertisements is the Ramadhan (2018) edition #KerenLahirBatin edition. This study examines the meaning of the Ramayana advertisement in the Ramadhan (2018). The method used in this research is content analysis method using Rolland Barthes' semiotic approach. The results of the analysis show two things, namely that there is an ideology of capitalism that operates in the Ramayana advertisement of the Ramadhan (2018) and the existence of a perpetuation of patriarchal discourse which views that men are superior while women are inferior, especially in the lower middle social class.

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